Although Emil still talks about his family constantly, he is more cautious about taking them out with him to functions, following the Bai Xiaoyan kidnap and murder case in Taiwan. Would he consider emigrating to another country then? "No, Taiwan is where I realised my dream of becoming a musician," the Hong Kong-born, 37-year-old expresses earnestly. "Even my wife says she can't imagine living in the U.S. anymore. And I want my kids to be bilingual, I want them to be able to appreciate Shakespeare and read The Dream of the Red Chamber as well."

Later, in a moment of quiet reflection, he shares his philosophy of life with you. "I was once told this, and it makes perfect sense to me --- 'Men are not destined to succeed or fail; it is their personalities that determine that'. You can't control fate, but you can shape your personality."

And these aren't just empty words, either. Emil owes much of his success to his never-say-die personality and his amazing ability to connect with people. Here, after all, is someone who rose from a lowly production assistant to bona fide superstar. A grey Mercedes Benz sits in Emil's garage, bearing testimony to the camaraderie he shares with the who tour with him. Reveals a close friend and co-worker: "We bought it for him as a house-warming gift 'cos we knew he'd been admiring one for a long time. He prefers to zip around in his jeep, but we felt it was an appropriate gesture of our affection for him."  ´

 

 

 

If Emil Chau's recent Taipei concert was anything to go by, then Singaporeans should have a ball of a time at the first leg of his world tour kicking off this week.
     Yes, he did forget his lyrics, but only once. And no, he did not engage in as much repartee as usual, deeming it "more professional" to sing, not talk. Which is, perhaps, the show's main flaw --- no one can work a crowd like Emil Chau.
     An intimate superstar, if there ever was one, Emil turns his concerts into two-and-a-half hour karaoke sessions where even the most inhibited fans find themselves singing along and cheering him on, waving their arms and shouting his name.
     The highlight of the evening came when he did a medley of old and new tunes from the '70s to the '90s. Behind him was a projection of images tracing the significant moments in Taiwan's history --- "that's what pop music is all about; certain songs mark the milestones in your life, and when you listen to them years later, the memories of those events flood back." He must have touched a chord because he actually had some people in tears. On his world tour, the Taiwan backdrop will be replaced by images of global events instead.
     Whether it's nostalgic indulgence or inhibition-shedding sing-along you're looking for, it's unlikely you'll go home untouched by the magic that is Emil Chau.
 
Concert 2


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